Upon moving to Algeria, I quickly learned to have zero expectations and go with the flow because, really, anything could happen. However, despite my “expect anything” attitude, I did not think I would be going to see Shakespeare in Algiers. And yet, shortly after New Years, that’s exactly what I found myself doing.
It was all part of a very very cool two-year-long, worldwide tour of Hamlet that the Globe Theater is doing in honor of the 450th anniversary of Shakespeare’s birth. And when I say worldwide, I’m not kidding. They intend to go to every single country. Check it out here. As I write this, they are performing in Khartoum.
Their performance in Algiers was at the National Theater, a building whose architecture is very reflective of Algerian history. The facade of the building reflects the country’s 130 years of French rule, adorned with a series of stone arches and intricate flowery accents (albeit chipping and rundown due to a decades-long lack of upkeep). Then the stark, cement interior of the building harkens back to a newly independent Algeria’s Soviet leaning in the 1960s, when the goal was to get as far away from France and the West as possible.
The organization of the event was purely Algerian. For some reason, the decision was made to admit theater-goers on a first-come, first-served basis. Which meant when the group of us from the Embassy showed up 45 minutes before the show was to begin, there was a massive throng of people crammed up agains the yet-to-be-opened doors. At least twice as many people as there were seats to be filled. Our group had received special invitations to see the show, which we naively thought might allow us to bypass the crowd. No such luck. So we joined the masses and subtly tried to edge our way through. At one point we thought we had gained traction when one of the security guards noticed the invitations we clutched. But this particular gentleman quickly found he had no clout with the people who had the authority to let us in, and abandoned us almost immediately. However, this brief glimmer of hope had allowed us to get closer to the front of the crowd, right before they opened the one door through which they decided to funnel all those people.
At this point, it was a complete free-for-all. It was the first time that I’ve realized how people can get crushed to death in such crowds (it wasn’t that bad, but it was getting there). Some people were funneled through the metal detector, others avoided it in their haste to get in, so the security precautions were basically pointless. Our group of 8 successfully made it through the door, which turned out to be just hurdle number one. Next up: find a seat. We managed to snag 4. Then it was standing room only. But, we made it in, which was more than many of our fellow Hamlet hopefuls still waiting outside.
When the performance finally started (an hour late, which is really on-time by Algerian standards), we were treated to a fantastic, abbreviated (2 hours and 40 minutes as opposed to the usual 4 hours) version of one of Shakespeare’s biggies. Now, theater-going is not common in Algeria, so the etiquette isn’t quite what one might expect at a Shakespeare performance, but once we blocked out the chatting, phones ringing (and being answered), and the constant moving around of the patrons, it was great fun and quite the mixture of cultures. A rough French translation of the Elizabethan lingo was projected onto the back wall of the stage. And when half the audience departed at intermission (some perhaps tired of standing, some perhaps not quite enthralled by the somewhat rocky translation, some perhaps caught unawares as to what they were getting themselves into), it got even better as many of the audience distractions departed with them!
When we finally headed home, we counted ourselves lucky to have experienced one stop of this epic global tour, despite (or maybe because of) all the cultural idiosyncrasies involved! All in all, a fantastically adventurous and entertaining evening! If you happen to be in a country where the tour hasn’t yet stopped, I would highly recommend heading out for a night at the theater, regardless of your enthusiasm for Shakespeare.






































































